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Revenge, Forgiveness, and Reconciliation

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Revenge, Forgiveness and Reconciliation The Tempest has the theme of revenge and reconciliation is seen largely in the character of Prospero. In the title, The Tempest is both literal and metaphorical. Shakespeare begins the play with a fierce storm which wrecks the courtier’s ship. I think the storm symbolizes “the tempest of life” (for example the struggle of life) around which the play is based. Prospero is a dynamic character in this play who exhibits the motions of motivation and forgiveness. Forgiveness is the hardest thing to do when someone has done something awful to you and then to reconcile with the person is harder while you want revenge. Prospero will show us how these themes are used to interpret as I explain in detail next. Prospero is the ousted Duke of Milan who has been living in exile on a remote island for the past twelve years. He is also a powerful magician, father of Miranda, master of Ariel and Caliban, and a guy who really likes his books. Twelve years earlier, he found refuge on this island after his younger brother, Antonio, seized Prospero's title and property. Prospero functions as a god on the island, manipulating everyone within his reach. He is helpless against his enemies until they appear on a ship nearby; but when they are close enough, he can use his magic to create a storm and bring them under his control; and this is what makes me think revenge is being taken place. Prospero's magic is the white magic of nature, not the black magic of evil men. This former duke of Milan is a complex personality. Although he refuses to free Ariel and enslaves Caliban, Prospero is really a beneficent ruler, never intending to injure even his enemies. Early in the play, Prospero appears uncaring and cruel, especially in his treatment of Ariel and Caliban. He is also oppressive in his treatment of Ferdinand, but Prospero realizes that Ferdinand and Miranda will value one another more if there are a few impediments to their courtship.
Prospero's humanity is clearly obvious in his treatment of Antonio, whom he calls traitor but whom he declines to treat as a traitor. Another example of Prospero's goodness is when he stops Alonso from apologizing to Miranda, telling him that there is no need for more amends. By the play's conclusion, it is clear that Prospero is just and fair, in addition to intelligent. Moseley feels the same way about Prospero. The island is the place where Prospero has learned that he took too little care of his state and has learned that rule is about responsibility and prudence. He has learned the emptiness of mere revenge, which he feigned to exact in the storm. He has learned that the greatest power is to know how to renounce it. Alonso understands his own guilt and seeks pardon. Ferdinand grows from a boy into a fitting husband for Miranda, who herself has there grown to a maturity which she now has to deploy into the deceptive “Brave New World”- new to her. Prospero to me seems that Shakespeare uses this character to bring his rivals to a state of regret so that he can pardon them and restore the rightful order of things to his dukedom of Milan. As Prospero is seen as being all-powerful over the island, he could easily destroy or punish his enemies by any method or means. However, he chooses not to and brings the past conspirators face-to-face with the sins of their past, which causes them to be repentant. In a god-like way Prospero forgives each of them, allowing them to live and return to Italy. They promise to faithfully serve Prospero. It is a picture of full reconciliation, with the exception of Antonio. This shows that the theme of this play is the chain of forgiveness and reconciliation filled with religious overtones as well. After Prospero was stripped from his power, Prospero is then sent to die at sea; but he is almost certainly miraculously raised from the near dead due to the loving care of Gonzalo, who I believe has wisdom, kindness, and caring. Prospero has been betrayed, but like Jesus, he bears no grudges and does not become bitter. Instead he uses his power to gather his enemies so that he can bring them to repentance and subsequently forgive them in order for everyone to be reconciled. Shakespeare’s day were predominantly Christians and believed it. Prospero had a god-like representation by his judging, punishing, and forgiving. Christians are expected to forgive and revenge is not a Christian attribute. Ariel tells Prospero that “The good old lord, Gonzalo/His tears run down his beard” (5.1.15-17), and it is Ariel’s plea that convinces Prospero to end their misery, “if you now beheld them/Your affections would become tender”. It is here that Prospero observes that forgiveness is a nobler action than vengeance. I agree with Foldvary and Strobl that at the end of the comic and romantic plots the odds are made even, Jack find their Jills, lost family members are found, who were thought to have died turn out to be alive, couples are brought together after a series of misadventures, the generation gap is solved, conflicts are healed, lovers united, and the wicked forgiven. Also Lyne speaks about how other romances that one might occur can connect their providential structures with an intense Christian faith and hope. I believe that without forgiving someone who has caused harm they keep the power of you. But if you forgive them for you, you can move on and forget, and let that person know they don’t have control over you anymore. Prospero forgave and did not harm anyone. He reconciled with mostly everyone and forgave; he allowed for Ferdinand to marry his daughter Miranda. His vengeance would not have a great outcome but rather his forgiveness and reconciliation led to a great outcome. It was a symbol for a new beginning and hope.

Works Cited
Foldvary, Kinga and Strobl, Erzsebet. Early Modern Communications: Studies in Early Modern English Literature and Culture. Newcastle upon Tyne, GBR. Cambridge Scholar Publishing. December, 2012. Accessed on May 13, 2014. http://site.ebrary.com/lib/bcc/docDetail.action?docID=10677126&p00=tempest%20revenge%2C%20forgiveness%2C%20reconcilation

Lyne, Raphael. Shakespeare’s Late Work. Oxford, GBR. Oxford University Press, UK. 02/2007. Accessed on May 13, 2014. http://site.ebrary.com/lib/bcc/docDetail.action?docID=10271384&p00=tempest%20reconciliation

Mosely, C.W.R.D. Humanities Insight: William Shakespeare: The Tempest. Penrith, GBR. Humanities-Ebooks, LLP. 2007. Accessed on May 13, 2014. http://site.ebrary.com/lib/bcc/docDetail.action?docID=10567340&p00=tempest%20revenge

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